这是这一张专辑的出发点。海,是我们的母亲,我们的故乡,孕育了各种不同的生命并以无限的型态持续在变化; 海女,她是随著时代变迁都市讨生计离乡背井的第二代族人,对著家乡海有特别的悲苦回忆与幸福的憧憬交织在一起,然而对故乡的连结不是这么密切,对母系社会产生矛盾与冲突。海女不断地寻找自己的归属,却像个浮游生物随著海流漂流,到不了那深海,也摸不到天空的尽头。但是她跟海有最辽阔的连结,因为在那她得到了最平静也最恐惧的经验。
...查看更多 收起Pohpohan a kako
Ingiden a kako
I mata iso iraay kako
O fonos kora safilofilo
Mararomay a kako
Palofono palo no roma
Patiren to palo no roma
Pohpohan a kako
Ingiden a kako
I mata iso iraay kako
O fonos kora safilofilo
Mararomay a kako
Palofono palo no roma
Patiren to palo no roma
Away ko tapelic a papacen
Away ko fafako
Away ko sakacaciyaw I dadaya
Taraen ho sanay ko dadingoan
抚摸我吧
靠近我吧
你的眼睛里出现我
拿著番刀挥舞著
我好焦虑
交代家族的人
要建立自己的家园
抚摸我吧
靠近我吧
你的眼睛里出现我
拿著番刀挥舞著
我好焦虑
交代家族的人
要建立自己的家园
没有海浪的早晨
没有月光螺
没有说话声的晚上
镜子里的我在等待著
Touch me
Come near me
I can see my reflection in your eyes
I slash and swing a knife
I have so much anxiety
I tell my family
To build their own homeland
Touch me
Come near me
I can see my reflection in your eyes
I slash and swing a knife
I have so much anxiety
I tell my family
To build their own homeland
There are no waves in the twilight
There are no sea snails
There are no sounds of speaking at night
The version of me in the mirror is waiting
shrill_tooth_lvs(潘艺翔)
好听!支持你!加油!!!合作呼叫panxiang1002
17ZHA
第一次听到这种风格和独特的唱法有被吸引到
白董
fangcal ko radiw, mawolahen kako